Tuesday, April 9, 2019

New Line to Color Workshop June 14-16, 2019 in Orange County, CA

We are back this year with  a Line to Color Workshop in Orange County, CA.  Come join us for a great weekend at San Juan Capistrano and Laguna Beach.  Frank Ching and I taught a workshop in 2015.  It was a wonderful time especially getting away from the cold Seattle weather to sunny California.
For further information on this workshop click here.
Contact Gail for registration forms, glwarc@gmail.com

Saturday, June 30, 2018

Moving towards Abstraction

My initial inclination is to paint what I see and I tend toward literal representation.  So my first pass at this image was the painting above, trying to match the color and imagery of the scene in the photo.  I wasn't able to push the hills back with the color.  They kept popping forward.  So I laid down a  light glaze over the hills to mute it.  While doing that I lost the lightness of the hills.

The second time I painted the scene, I tried to simplify the forms and abstract the shapes, but kept close with color.

This third pass, I held on to basic abstract, shape and value but gave up on literal color.

Wednesday, May 30, 2018

More Wet into Wet Technique in Watercolor

This week was more practicing Wet into Wet into Wet technique both in homework and in class.
The night scene below was a painting done in Tom Hoffman's Tuesday's class.  The painting started with the light colors applied on a very wet sheet of watercolor paper. I mean really wet.  Holding it under the faucet and wetting both sides of the sheet wet. At this point you get soft edges where colors merge and mix into each other when you apply the paint.

Midtone values and colors were applied over the light colors while everything was still wet.  You can tell the paper starts to get a little drier.  The paint in the brush is still drier  than the wet paper. You are using the wetness of the paper as your water source.  Doing that you will avoid blooms.

Finally the darks were put on as the last layer.  It was a challenge getting the right consistency and viscosity of paint.  You have to get enough pigment in your mix to cover and get it dark enough that it won't dry light.  You also need enough fluidity in the paint that you don't lift off the lower layer of paint while painting on the final layer.  Areas in this painting where you see the brush strokes are areas where I was pulling off paint while I was applying paint.


Sunday, May 27, 2018

Watercolor Homework Practicing Wet on Wet Technique

The following watercolors were done from photos on Tom Hoffman's Watercolor Homework blog.
For each of the paintings I started with the sky by wetting the area of the sky with clear water then painting cobalt blue on the wetted page.  Then that was left to dry.  The bottom half was done one of  two ways.  For one painting I just applied a wet base color.  It was the lightest color I was going to use in that area.  The other paintings I actually started the same way I did the sky, with clear water then painting over with my yellows and greens.  The key to avoid blooms is to not re-dip into water.  Be sure that the brush and pigment is drier than the page you are painting on.  Using this technique the water on the paper is the water supply that you use. 

Tuesday, May 22, 2018

Dealing with Greens in Landscape Watercolor Painting

Today in Tuesday's watercolor class we tried an exercise to create a variety of greens using a limited palette.  The base colors we used were Nickel Azo Yellow, Ultramarine Blue and Burnt Umber. 
Using varying amounts of blue, yellow and Burnt Umber you can see the wide range of greens you can create that harmoniously work together.

Sky Studies Watercolor Homework

Watercolor homework paintings for  Tom Hoffman's Tuesday class.
The point of the exercise is to see how forgiving painting the sky can be looking for simple shapes and values.  The first painting was done on a very wet paper.  The second had an initial clear wash but it ended up drying on me so you can see hard edges to the clouds. 

Wednesday, April 25, 2018

First Painting of the En Plein Aire Season

Yesterday was a beautiful day in Seattle.   So this was our first chance at painting outdoors for this season.  It was 74 degrees which is very temperate for this time of year.   In Tom's class we were looking for a simple scene and trying to capture the quality of light and long shadows.  I learned something extra.  How to paint in cars using negative painting as well as  finding the shadows and shade side of the car.

Wednesday, April 18, 2018

Study on Soft Edges in Watercolor

I am taking a watercolor class this spring with Tom Hoffman.  Yesterday we studied how far you can go with soft edges in paintings.  Here is a watercolor done from a photograph of Hawaii.  

The intention of this study was to do a painting all in soft edges to find out what places may need hard edges or if any hard edges are needed at all!  I worked in clear water on both sides of the paper before I started to apply paint strokes with a broad brush.  

Thursday, May 4, 2017

Seattle 10x10 Exhibit through the month of May


Works from Instructors of the Seattle 10x10 program are being exhibited at the Center for Architecture and Design for the month of May.  First Thursday opening tonight from 5-8 pm.

Friday, January 13, 2017

Seattle USk 10x10 Urban Sketching Course and First Free Lecture

Get out your sketching gear!  Whether you want to start learning how to sketch or have been a long time sketcher, we have the classes for you!

In celebration of the 10th anniversary of Urban Sketchers we are glad to announce the first year long USk program ever!  This is happening in different parts of the world this year! We are bringing a program to you right here in Seattle.

Please join us!  Check http://www.urbansketchers.org/p/10-years-x-10-classes.html  for information about the class offerings happening internationally.  If you are traveling this year, consider taking a class with one of our sister programs in another country.  This is a great way to meet sketchers around the world as well as learn from some great teachers.

Check here for our program in Seattle and come join us for a free lecture at Daniel Smith Seattle January 28, 2017 11:00 am-1:30 pm.  Meet  and learn with local sketchers.  This is a great way to get into sketching if you are interested but need some help.  Tell your friends about this. All levels are welcome!

I will be teaching  a class titled "Sweeping Views:  Approaches to Panoramic Sketching" June 3, 2017 at Gas Works Park from 9:00 am to 12:00 pm.
We will talk about how to set up a panoramic view to get everything you want in the sketch,  how to use watercolor and line to create distance in your sketches, how to simplify a complex scene and maybe even how to do curved perspectives.  Check our program information for how to register. There are limited spaces available.  We encourage you to check out all the classes!

Sunday, July 10, 2016

Reducing Your Sketching Gear

Getting ready for the  Urban Sketchers Symposium in Manchester,  my goal is to try to travel light and reduce the amount of sketching gear I take.  Everything I need for sketching now fits in my purse.

I purchased the Pocket Art Toolkit by Expeditionary Art.com .
The business card holder sized palettes fit in the kit. I have 28 colors in the wells and 3 pocket palettes.  It takes some getting use to working with  the smaller sized palette but I think I can get use to it.  All my travel brushes fit in a side pocket under the pens.  I added velcro strips to secure the side pocket and keep the brushes from coming out.

Today was the test day.  The pocket palettes surprisingly carry quite a bit of paint.  I will have to add more to it as the paint sinks into the palette leaving room in each well for more paint as it dries.

I am always nervous trying out something new like this.  It sometimes throws me off using a new palette.  With my old larger palette I know exactly where each color is.

Georgetown Garden Walk Garden No. 40 2016

Wednesday, May 18, 2016

Sketching En Route

The nice thing about being an urban sketcher is always having something to do.  If you have to wait for two hours on a flight or at a gate and forgot to bring something to read,  you can always sketch.  I use that opportunity to practice drawing people.  That is definitely my weak area in sketching. Or I try a new medium, in the above sketch I used the waterbrush which I hadn't used in a while.

The following sketches were done on my way back to Seattle from the Oakland Airport to home.
By the way, I was proud to use public transportation on both ends from Seattle to Oakland.  I used the Sound Transit Link Light Rail to get from Seattle to Seatac Airport for only $3.25.  From Oakland Airport  I took the shuttle to the BART Coliseum Station then caught BART to Fremont, CA for $9.65.  I did the opposite on my way home.  This allowed my family to just pick me up at the local BART or Sound Transit Station.  
Yay to public transportation.  Avoid the traffic!

Gate 28 South West Airlines we ended up moving to Gate 32

Waiting for our flight at Gate 32
Flight from Oakland to Seatac

Light Rail from Seatac Airport to Seattle.

Tuesday, May 17, 2016

Loosening Up the Sketch

The second sketch I did at  Stanford was of the Rodin Gardens at the Cantor Museum.  Did you know that there are many Rodin statues in the garden as well as on campus?  I had no clue.
I had very little time.  Maybe about 20 minutes and I wanted to work loose so I did this quick sketch using a brush pen and adding color with a water brush and painted over it.

It is nice to mix up techniques and approaches to sketching.

Sunday, May 15, 2016

Value Adjustment

Last week I had a chance to sketch in California with sketcher friends Suhita Shirodkar and Laurie Wigham.  We all met up at the Stanford University Campus and sketched the Memorial church.

I was sitting in front of  an arcade looking towards the church.  The structure of the arcade was in shade and the church facade was also on the shade side but brighter than the arcade.  In real life we can see with clarity and much more brightness things that are in shade.  However when you take a photo of that same image the areas of shade appear darker.  And to create depth in a picture you also have to adjust or exaggerate values. 

Here are the two images of the view I sketched the first was painted on site using the values of the arcade as I saw it from where I was sitting.  The blue sky seems to have the same value as the arcade and everything looks flat. What is separating the shapes is not value as much as color.

This second scan was after I added another layer of color to the arcade.  This created more depth and makes the church and the sky appear brighter and in the sun.

Saturday, April 16, 2016

My Sketching Supplies for doing Plein Aire watercolor.

Next weekend we will be giving the Line to Color Workshop, so I am posting the sketching supplies that students will need for the weekend.
5x8 Sketchbook for ink line drawing  preferably with no spiral binding so you can draw across the page.

Watercolor sketchbook 5x8 landscape minimum.  Larger sizes okay

Drawing and painting tools. Binder clips to keep the page secure.  Painters tape to create a clean watercolor edge.
Water color Palettes
Above are different palettes.  There are many types of folding watercolor palettes that vary in price.
I used an old Winsor Newton mini travel palette and changed out the colors with my own Daniel Smith Tube Paints.  A mint tin with the lid sprayed with white enamel paint makes a nice small palette that you can easily fit in a pocket.  A vitamin pill container can be used as well to hold paints but you would need to bring a separate palette to mix and see paints.

Water bottles and water containers.  The bottles are to keep a reserve of clear water, the water container you use for painting.  It can be as simple as a hummus container or purchased collapsible containers.

Paper towels folded in a tin is a easy way to wipe excess water from your brush.  A sponge will work too.

Collapsible camp stool that you can purchase at REI or any camping store is good if you need a place to sit.

Thursday, April 7, 2016

Magnuson Park

Yesterday I was at Magnuson Park.  I wanted to practice painting with values and light.  Not depending on lines to establish form. When you do that you have to simplify your forms and use contrast in value to determine the edge of a shape.

Saturday, April 2, 2016

Just Practicing

I just got two new watercolor books.  One by Alvaro Castagnet, "Watercolor Masterclass" and another one by Michael Reardon  "Watercolor Techniques".  They both do a lot with light and atmosphere.  It usually starts off with their first layer of washes setting up the light...the underpainting.
Then letting that under layer dry completely before putting additional washes that start to define the views.

Here is a practice doing flat wash and gradated washes.  I was using Fluid hot press and had difficulty in getting a flat wash with out the bead creating a heavier value line.  I will have to try it with other paper to see if I can get a real flat wash.

Friday, April 1, 2016

My Basic Palette

I have been tweaking this basic palette for a while.  Trying to  get the essential colors I would have my students get that would give them a wide range of colors with out busting their wallet.
So I have come up with a six colors that will give you all that you would need and a final 7th color that gives you some more bright mixing.
The Basic 6 colors are the following. I buy Daniel Smith colors for their intensity and richness (and they are a local company)

Ultramarine Blue
Cobalt Teal
Quinacridone Gold
Hansa Yellow Medium
Transparent Pyroll Orange
Quinacridone Rose

7th optional Manganese Blue

Here are how the triads work  and you can see what you get when you mix the paints.

Wednesday, March 30, 2016

Sketching the Light Rail Stations on Opening Day

As many of you know the Light Rail station on Capitol Hill and University of Washington were opened on March 19th. There were free rides on the Light Rail that day so I decided to check it out and sketch the events.  Here are my sketches of the day.  I did eight ink line sketches in 4 hours. Painting them took the next 5 days to finish.

Demonstration for U-Pass at the University of Washington Station

Opening Day University of Washington Station
Interior Entrance to the University of Washington Station

Waiting for the Train at the University of Washington Station
Outside the Capitol Hill Station

Entrance to the Capitol Hill North Station

Inside the Capitol Hill Station

Waiting for the University of Washington Train