The final pass in this watercolor sketch was to hit the pendant light with a dark wash to separate it from the background. I made a very dark wash and applied it to the bottom and left side of the light to reinforce the direction of light and shade.
When it was still wet I dipped my brush directly in ultramarine blue and hit the left side of the base of the light...adding a very deep tone.
The contrast in value is what will create spatial depth in a fairly flat drawing.
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